Primal Scream, Razorlight, and most relevantly, Stereolab and Broadcast's sleeve designer Julian House brings out the latent and intrinsic séance-like aspect of sampling with "a collection of individuals.. an empty church hall, hoofprints, mirrors, echoes, sequences of ordered greenery, televisual images, fonties and ortres" (from the sleeve notes of his first output: Sketches and Spells)