The Festivals -- Vaughn Price, Earl Moss, Woody Price, and Leon Thomas -- never got the break they needed to succeed, but not for lack of trying. They debuted on Smash Records with "I'll Always Love You" in the fall of 1966, which produced some mild rumblings in a few cities. Momentum increased in the spring of 1967 when Smash released their best-known (and best) recording "You Got the Makings of a Lover," a Moss composition that highlights the quartet's shimmering vocal blend. (Sly, Slick & Wicked from Los Angeles re-did the song in the '90s; that version inspired many to seek out the original that most never heard when it was released.) Even those living in certain large metropolitan cities missed out since Smash only promoted the record in select cities. The sweet romancer sales' didn't bowl over Smash executives and no further promotion monies were allocated. Slow in releasing records by the Festivals, their next didn't drop until November 1968. "Hey Girl" (not the Freddie Scott song), picked up play in some localities, but nothing significant. Blue Rock Records picked up "Hey Girl" in early 1969 and reissued it with a new flip, "Checkin' Out," but sales never materialized. A stint with Philadelphia's Colossus Records equaled their releases (three) with Smash. (These are the easiest Festivals' recordings to find because of numerous compilation disks chronicling Colossus' recordings.) But other than soul fans in the Philadelphia/Jersey area, people probably never heard "You're Gonna Make It" ( number 99 Cashbox), "Baby Show It," or "Give Her Up," all issued from 1970 to 1971. Motown issued their version of "Green Grow the Lilacs" in the summer of 1972 on Gordy Records; the same song they originally issued on the Originals in 1969. Motown never issued anything else by them, but some unreleased hummers may be dusting in a vault awaiting discovery. A final record on Lo Lo was the last-known recording by the members as the Festivals. Leon Thomas and Earl Moss performed backing vocals on Doc Severinsen's Night Journey LP (1975), but radar hasn't detected anything else by the group as a whole, or its members as individuals.
1972
1971
1970
1970
1968
Smash Records (4)
7", Single
1968
1967
1966
Sonic Records (8)
7"
Good Old Gold
7"
Greg Records
7", RE
Smash Records (4)
7"
Three M Records
7", Single, RE
2019
Music On Vinyl, BMG
2xLP, Comp, Ltd, Num, Tur
2019
Union Square Music, Rhino Records (2)
5xCD, Comp
2019
Music On CD, BMG
2xCD, Comp
2017
Union Square Music
3xCD, Comp + Box
2016
2013
Kent Soul
CD, Comp
2013
Hip-O Select, Motown
7", Single + 5xCD, Comp, Ltd, RM + Box
2013
Stones Throw Records
File, MP3, Mixed, 192
2012
Spectrum Music (2)
CD, Comp
2009
HI - Note
CD, Comp
2007
Légère Recordings
CD, Comp
2007
Castle Music, Sanctuary
4xCD, Comp
2006
2005
Kent Soul
CD, Comp
2005
Castle Pulse
2xCD, Comp
2004
Discotheque (2), Sanctuary
2xCD, Comp
2003
Castle Music
CD, Comp
2003
Barrio Soul Records
CD, Comp
1998
Mercury
2xCD, Comp
1998
Goldmine Soul Supply
CD, Album, Comp
1997
Goldmine Soul Supply
CD, Comp
1997
Bar Records (2)
CD, Comp, RM
1997
Quality Records (2)
CD, Album, Comp
1997
SSS
CD, Comp
1997
Barrio Soul Records, Quality
Cass, Album, Comp
1996
Quality Records (2)
CD, Album, Comp
1994
Sequel Records
CD, Comp
1994
1987
1970
Légère Recordings
LP, Comp
South Side Kingdom
CD, Comp
Hot Groove Records (2)
7", Mono, Unofficial
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The Festivals
The Festivals
The Festivals