Scottish punk band. Formed in Dunfermline during the summer of 1977. Comprising the songwriting axis of Richard Jobson (vocals) and Stuart Adamson (guitar), together with the rhythm section of William Simpson (bass) and Tom Kellichan (drums), they rode into British consciousness on the new wave backwash to the ebbing tide of punk. The release of their self-financed, attention-grabbing Charles EP came at the time Richard Branson's Virgin label were busy accruing an eclectic roster of post-punk hopefuls. Consequently, with almost indecent haste, the band were tethered to what was to prove an optimistic eight-album deal. On the flip side of their first Virgin single, "Sweet Suburbia" (1978), the band proclaimed themselves to be "Open Sound", which was essentially a description of the soaring histrionics of Adamson's guitar style. When married to the martial rhythms of the drumming and the bellowing, chant-like vocals of Jobson, this sound conspired to lend their repertoire a rousing, anthemic quality. It was heroic music which at its best, as on the first album, Scared To Dance (1979), seemed to capture the drama and turbulence of battle. Unfortunately, the sound was an all-too-graphic reflection of the band's own stormy relationships, a turbulence which was to settle only with the departure of Adamson in the summer of 1981. The Skids' decline was in large part due to the portentous designs of Richard Jobson, who sought to mould the band into a vehicle for his ever more convoluted lyrics. This became most evident in the recording of the second album, Days In Europa (1979). Following the departure of original drummer Tom Kellichan in the traditional rock'n'roll style (i.e. after the first album), the Skids recruited a temporary replacement in the form of ex-Rich Kids drummer and Jobson cohort, Rusty Egan, and a producer in the form of ex- Be-Bop Deluxe man Bill Nelson. Together, both Nelson and Egan contrived to free the band from the strictures of punk-pop in favour of a more polished, almost danceable sound. Ultimately it was a case of too many cooks, and the resultant album proved to be a misguided attempt at redefining the Skids' sound. This in turn alienated a great many fans, and also cost them the services of bassist Simpson during the troubled tour that ensued. For Jobson and Adamson it was back to the drawing board, and 1980 saw a rejuvenated Skids with a new rhythm section in the form of Russell Webb (bass) and Mike Baillie (drums). The resultant album, The Absolute Game (1980), produced this time by Mick Glossop, was a commercial success, giving the band their first and only British Top 10 album. Artistically, too, it heralded a return to form, dispensing with the excess baggage of the previous outing and playing to the dual strengths of Adamson's guitar stylings and Jobson's lyrical bombast. Unfortunately, this rejuvenation coincided with Jobson's increasing commitment to a burgeoning London scene. Adamson's departure had as much to do with geographical differences as to musical and personal ones; a point evinced by Adamson's eventual return to Dunfermline, from where he formed the internationally successful Big Country. Following Adamson's departure, the final dissolution of the band was soon to follow. Unfortunately, however, not before Jobson and Webb issued a dour and ill-conceived concept album, Joy (1981), which served only to illustrate that, when Adamson left, he took all of the best tunes with him. Not surprisingly the album failed to chart, and proved a sorry end to a short career which had begun with so much spark and promise. And then they came back. They reformed in 2017, recorded two new albums, a covers album, released a few live ones and a couple of acoustic albums too; while touring the UK, a lot.
Glasgow Summer Sessions - Punk All Dayer
Bellahouston Park, Glasgow, Great Britain
Skids
The Adrian Flux Waterfront, Norwich, Great Britain
The Skids
Brudenell Social Club, Leeds, Great Britain
The Skids
The Limelight 2, Belfast, Great Britain
The Skids
Whelans, Dublin, Ireland
The Skids
Cyprus Avenue, Cork, Co. Cork, Ireland
The Skids
Dolans Warehouse, Limerick City, Co. Limerick, Ireland
2024
2023
Audio Platter
LP, Whi
2023
Audio Platter
2xLP, Cl
2023
2022
Cherry Red
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2022
No Bad Records
CDr, Album
2021
No Bad Records
CDr, Album
2021
No Bad Records
CDr, Album
2021
2020
No Bad Records
File, AAC, 271
2019
No Bad Records
CDr
2019
2017
Live Here Now
2xCDr, Album
2017
2015
2012
Captain Oi!
2xCD, Comp, Box
2010
No Bad Records
CD, Promo
2010
EMI Records
4xFile, AAC, EP
2010
2009
EMI Records
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2009
EMI Records
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2007
2007
2003
2002
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2002
1992
1991
1989
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1987
1983
1982
1981
1981
1981
1980
Smash Hits! Magazine
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1980
1980
1980
1980
1980
1979
Virgin
12", Single, Promo
1979
1979
1979
1979
1979
1979
1978
1978
1978
2018
2010
Cold Spring
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2009
1981
Virgin
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1980
1980
1980
Not On Label
CDr, Ltd
2025
2025
2025
2024
2024
2024
2023
Universal Music Recordings, Universal Music Recordings, Sony Music, Sony Music
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2023
2022
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2022
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2022
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2022
Cherry Red
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2022
2022
2020
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2020
2019
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2019
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2019
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2019
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2018
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2018
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2018
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2018
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2018
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2018
2017
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2017
UMC
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2017
UMC, Spectrum Music (2)
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2017
UMC, Spectrum Music (2)
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2017
UMC, Spectrum Music (2)
3xCD, Comp
2017
Sony Music
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2017
Universal UMC, Union Square Music
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2017
2016
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2016
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2016
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2016
Universal Music France
4xCD, Comp
2016
Universal Music Belgium
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2016
2015
USM Media
3xCD, Comp
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
The Skids
Glasgow Summer Sessions - Punk All Dayer
Bellahouston Park, Glasgow, Great Britain
Skids
The Adrian Flux Waterfront, Norwich, Great Britain
The Skids
Brudenell Social Club, Leeds, Great Britain
The Skids
The Limelight 2, Belfast, Great Britain
The Skids
Whelans, Dublin, Ireland
The Skids
Cyprus Avenue, Cork, Co. Cork, Ireland
The Skids
Dolans Warehouse, Limerick City, Co. Limerick, Ireland