Machine For Making Sense explores relations between linguistics, poetry, speech, music, and notions of sound, science and politics. Talk is the noise of talk, its musicality, its chance capture, words gulped and kicked out, guttural, barked and screamed. Therefore the Machine's talk becomes all the more important for being and around and about talk that you ignore in the usual give and take of conversation. You hear snatches of talk, you hear the voice as a musical instrument. Machine For Making Sense re-evaluates distinctions between text and music, music and sound art, improvisation and composition. MFMS first worked together after Ars Electronica (Austria 1989). They first toured the main centres in Australia in 1991. They have produced tours, performances, site specific events, recordings and intermedia collaborations in Australia, the US and Europe. Increasingly their work is site specific. Sonic Hieroglyphs, Residue and Fester were long large-scale works designed for specific space/times and escaped from the deadening environment of the concert hall
2006
Rossbin
CD, Album
1999
Splitrec
CD, Album
1998
Splitrec
CD, Album
1997
Splitrec
CD
1994
Tall Poppies
CD
2002
New Music Network
CD, Comp, Promo
2009
Not On Label
2xCD, Comp, Promo
2006
1999
Splitrec
CD, Comp
1992
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense
Machine for Making Sense