Singer (Country/Rockabilly), born 16 October 1924 in Scottsville, Kentucky; died 13 June 2010 in Bowling Green, Kentucky. Although he's best known to rockabilly collectors, Lattie Moore was a real-deal, hardcore honkytonker. Although he was born in bluegrass territory, Moore moved to Indianapolis in the early 1940s, and established himself as a Midwestern artist, recording for various labels, but mainly for the King label, in nearby Cincinnati. Lattie Moore worked on the family farm raising tobacco until he was seventeen. He developed an interest in music at an early age and, as a boy, learned to play the guitar, mandolin and upright bass. Lattie's first musical idol was Gene Autry. He was also impressed by Roy Acuff and, later, by Hank Snow, Ernest Tubb and Hank Williams. At age 19, Moore hitchhiked 200 miles north to Indianapolis, a city that seemed to offer good opportunities for the professionally minded musician. A brief stint in the Navy interrupted his intentions, but he didn’t have to serve very long and by the end of 1944 he was back in Indiana, playing small clubs and other minor venues. Later he hosted a radio show on WISH and by 1951 he emceed the Mid-Western Jamboree on WIBC (both stations located in Indianapolis). His first record, “Hideaway Heart”/“Married Troubles” (on the Arrow label from Indianapolis, is extremely rare. One year after this 1951 debut came the disc that can be considered as the first rock & roll record out of Nashville, though at the time nobody knew it. It was the original version of “Juke Joint Johnny” (Moore’s own composition), recorded for the Speed label. The disc featured a very heavy drum sound, in part to cover up the fact that the musicians, apart from Moore and the lead guitarist, hadn’t had time to really learn the song. It was way ahead of its time. Jim Atkins and the Pinetoppers covered “Juke Joint Johnny" on Coral. Lattie himself did a flat-out rock ’n’ roll version (as “Juke Box Johnnie”) in October 1956, for Arc Records ; this time there was a cover version by Red Sovine on Decca. Eddie Bond has also recorded the song, in 1969. Lattie Moore cut some 25 tracks for the King label of Cincinnati, over two periods : 1953-1956 and 1959-1963. In 1958-59 he made two good singles for Starday, “Why Did You Lie To Me” and Eddie Noack’s “Too Hot To Handle”. During the 1960s, Lattie shifted more toward straight country music, abandoning rock and roll and rockabilly. King's offshoot Audio Lab releaed two highly acclaimed LPs of Moore's King work, "The Best Of Lattie Moore" (1960) and " and "Country Side" (1962). He also released a single on Olimpic in 1962. After leaving King for the second time in 1963, recorded only sporadically. There was an album for Derby Town (1971) and singles on WPL (1971), and Quitz (1973). He continued to perform well into the 1970s, though. After his retirement from music, he returned to his birthplace of Scottsville and worked in law enforcement for a couple of years. Lattie Moore died of natural causes on June 13, 2010, at the age of 85.
2022
Jasmine Records
CD, Comp, Mono
2000
Westside
CD, Comp
1973
Quitz
7", Single
1972
WPL Records (2)
7"
1971
Derby Town Records
LP, Album
1968
Derby Town Records
7", Single
1963
King Records (3)
7"
1963
1962
Olimpic
7", Single
1962
Audio Lab (3)
LP, Mono
1961
1960
Audio Lab (3)
LP
1960
1960
1959
Starday Records
7", Single
1958
Saga Records (7)
7", EP
1958
1956
1956
1954
King Records (3)
Shellac, 10", Promo
1954
1953
1953
1953
1953
1952
Revival Records (9)
LP
Swanky Records (2)
7", Comp, RE, Pin
2023
Bear Family Records
10", Comp, Ltd + CD, Comp
2023
Atomicat Records
CD, Comp
2017
Not On Label (Megan Mullally Self-released)
LP, Album, Gat
2016
El Toro Records
CD, Album
2013
The Intense Media
40xCD, Comp, Mono + Box
2012
Bear Family Records
CD, Comp
2006
Not On Label (Lynn Conover Self-released)
CDr, CD-ROM
2005
Documents, Documents
4xCD, Comp, Mono + Box
2000
Tin Town Records
CD, Album
1996
1986
1984
16th Avenue Records (2)
7", Single
1984
Rockhouse
LP, Comp
1978
MCA Records
Cass, Comp
1978
1964
1957
1953
1951
Arrow Records (18)
Shellac, 10"
Membran, The Intense Media
10xCD, Comp + Box
Area Records (2), Area Records (2)
7"
2024
Atomicat Records
CD, Comp
2023
Atomicat Records
CD, Comp
2023
Classics Records (2)
CD, Comp
2021
Doghouse & Bone Records
LP, Comp, Ltd
2021
Atomicat Records
CD, Comp
2021
Classics Records (2)
CD, Comp
2020
Atomicat Records
CD, Comp
2020
Atomicat Records
CD, Comp
2020
Atomicat Records
CD, Comp
2019
Reel To Reel Music Company
10xCD, Comp + Box
2017
RWA (Richard Weize Archives)
CD, Comp, Dig
2017
Real Gone Music Company
4xCD, Comp, Dlx, RM
2016
2012
Fantastic Voyage
3xCD, Comp
2012
Membran
40xCD, Comp, Mono
2012
Membran
12xCD, Comp + Box
2011
Fantastic Voyage
3xCD, Comp
2011
Smith & Co
2xCD, Comp
2009
Bear Family Records
CD, Comp
2006
2005
Proper Records (2)
4xCD, Comp, RM + Box
2005
2004
Indigo Recordings
3xCD, Comp + Box
2000
Ace
CD, Comp
2000
Bear Family Records
8xCD, Comp + Box
2000
Buffalo Bop
CD, Comp
1999
Buffalo Bop
CD, Comp
1996
Lucky Records (2)
CD, Comp
1993
Texas Gold (2)
CD, Comp
1992
1987
White Label Records (7)
LP, Comp
1986
Esoldun (2)
LP, Comp
1979
Redita, Redita
LP, Comp, Mono
1970
Lenox Records (2)
CD, Comp
Classics Records (2)
CD, Comp
Pan-American Recordings
CD, Comp
2011
1997
The Rockin' Bee
CDr, Unofficial
1991
SD Records (3)
LP, Comp, Unofficial
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