Peruvian Musician, Composer and Installation Artist living in France and Netherlands
(Lima, 1976)
In his sound-based works uses broken electrical appliances, hand-made audiovisual instruments, field streamings and -recordings, feedback systems, the induction of errors in the software-hardware, and musical instruments. He researches and highlights the acoustic qualities of bodies and spaces, and transduces imperceptible physical phenomena to an audible dimension –as electromagnetic fields, sub-aquatic sounds or otoacoustic emissions, among others.
Very active in South- and Central America since 1995. He presented his different projects in South America, Central America, Europe and Eurasia at amongst others: Luis Miroquesada Garland gallery, Lima; Museo de Arte Contemporáneo (MAC), Lima; Centre International d’Art et du Paysage, Île de Vassivière; DortYart, Dordrecht; TENT, Rotterdam; Institute de Sonology – Royal Conservatoire, The Hague; NCCA, Kaliningrad; WORM, Rotterdam; Qo2, Brussels; La Gaîté lyrique, Paris; Interpenetration Festival, Graz; Festival de Arte Sonoro Radar (now ‘Aural’), Mexico D.F.; Audio Art Festival, Krakow; Centro Cultural de España, Mexico-D.F.; Centro Cultural Conde Duque, Madrid; La Friche de Mai, Marseille; Festival Ecuatoriano de Música Contemporánea, Quito; and Festival Asimtria, Arequipa. He presented his lectures, sound walks and workshops ‘Electro-smog & Amplified Hearing’, ‘HiperOido: Invisible Sonic Debris and Continuity’, and ‘Electromagnetism: Attraction and Repulsion’ at amongst others: Poolloop Media Art Festival, Zurich; Academy of Fine Arts, Vienna; and University of Valparaiso, Valparaiso. In 2014 his feedback sound-light installation ‘Tupac Amarus’ was commissioned by Tsonami Festival, Valparaiso (CL). In 2008 Galarreta won a first prize with his work ‘Amarus’ and was granted a residency at ‘Residencias Artísticas de Iberoamerica en el Centro Nacional de las Artes’, Mexico-D.F. (MX).
Founder and member of association Aloardi – a label and independent platform in South- and Central America since 1998, diffusing and producing experimental music, audiovisual art, sound interventions, internet radio broadcasts, acoustic research, festivals, lectures, workshops and concerts (link portfolio). Aloardi celebrated their 10-years anniversary in 2008, organizing the third edition of the international festival of electronic and contemporary music CONTACTO, in the Cultural Centre of Spain –CCE, Lima.
He published more than 100 productions and has been collaborating with artists, collectives and labels around the world such as: Microbio Records, Sub Rosa, APO33, Platoniq, Sonic Art Networks, Aloardi, Urbanoide Records, Fougère Musique, Ruido Horrible, Noxa Records, Andesground, Existenz, Felt Collective, Chipmusic, Biodata, Superspace Records, Worm Records, Ursonate, Zbigniew Karkowski, Jorge Castro (Cornucopia), N’alov, Leo Sabatto (Armenia), Pablo Reche, Anton Mobin, Dj Urine, David Kraapoola, Francisco Lopez, Dave Phillips, Muozik, Manuel Rocha Iturbide, Rogelio Sosa, Tsonami Arte Sonoro, Sebastian Ortiz, and Ignacio Rus.
In 2013 developed his independent projects at the Institute of Sonology in the Royal Conservatoire and at Foundation Centrum –Villa K, in The Hague, The Netherlands. Galarreta also works under the name of several bands that he initiated and produced: DiosMeHaViolado (soloist project sometimes in collaboration with Claudia Machuca, Fabian Escalante, Yuri Gutierrez and Aldo Castillejos, 1994-1998),
Evamuss (as soloist, 1997-2003),
Azucena Kántrix (with Wilder Gonzales), Tica (with Fabiola Vasquez, 2005),
Garrapata (with Gabriel Castillo and Rolando Apolo), Ninguna Ninfula (with Sabrina Melenotte, 2009), Miasma (with Sergio Sanchez, 2009), 50 Otages (with Mathieu Finisterre, Bernard Bruit and Julien Otavi, 2011), Invisible Architecture (with Janneke van der Putten, 2013–now), and Sajjra, Galarreta’s current solo harsh-pop project.
